ux design + literary arts

Artist Statement

I create multimedia poetry that invites people to read and listen differently. My work explores how language, myth, and technology shape one another in a world increasingly mediated by algorithms and interfaces. Building on years of professional practice in experience design, I approach technology as a living system, something to listen to, interrupt, and imagine with. I am drawn to myth, folklore, and everyday speech as counterweights to the flattening effects of automation and optimization. Whether working with video, interactive performance, or printed matter, I aim to create spaces where words restore intimacy, ambiguity, and pleasure to language.

Artist Bio

Aya Karpińska is an artist who works with words by stretching, breaking, and reshaping them through technology, sound, and image. Her practice includes video poems, interactive media, and printed matter, all rooted in a long engagement with poetry and storytelling. Much of her work draws on myth and folklore as a way to counterbalance the speed, efficiency, and flattening of language in contemporary digital culture.

After early international recognition in digital poetry and electronic literature, Karpińska spent many years balancing artmaking with a parallel career in experience design. Decades of working with interactive systems inform her art practice, exploring how language and technology impact and wrestle with meaning.

Karpińska was an early innovator in digital literature, creating one of the first literary iPhone apps, *Shadows Never Sleep* (2008), and co-founding the electronic language arts festival Interrupt. Her work has been exhibited, performed, and presented internationally. She holds an MFA in Literary Arts from Brown University and an MPS from NYU’s Interactive Telecommunications Program, as well as a black belt in aikido and a certificate in The Alchemy Method™ group facilitation through storytelling. Her recent book published by 811 Press, The Red Shoes She Wore, brings together text and image to explore femininity, pleasure, and power.

Performances + Workshops

Mending Body/Mending Mind Brooklyn, NY 2024.
I wrote a poem and composed a sound piece for Holly Wong's powerful installation about domestic violence and healing.

intelligent Art online exhibition, 2024.
One of three commissioned artists to create work in response to use of AI tools in higher education.

Alchemy Method. Alchemy, Inc Training Program, New York, NY 2024-25.
I've been accepted as into the pilot program of Dr Kwame Scruggs' transformative method for developing urban youth through traditional oral storytelling.

Awards, Grants, Press

Core77 Design Awards 2023.
Winner: Interaction Award for Tower of Faces Augmented Reality Experience
Notable: Emerging Technologies Award for Tower of Faces Augmented Reality Experience

Print All Over Me Endowment 2021.
To develop a poetry project using Print All Over Me's print-on-demand textile platform. Read more about the project.

New Radio and Performing Arts Commission 2007.
For development of generative poetry project No Time Machine, with Daniel C. Howe.

Brown University Electronic Writing Fellowship 2006.

Publications + Citations

ha!art, No. 46. Interview in Polish literary magazine ha!art for an issue dedicated to experimental literature. Interviewed by Piotr Marecki, pp 64-79. Fall 2014.

Piper, Andrew. Book Was There: Reading in Electronic Times. The University of Chicago Press, 2012.

Is that all?

There's more. See my CV - PDF.